In this digital age, we have to question everything, even our eyes. In Chapter 5 of “The New Ethics of journalism,” Kenny Irby explains the monumental changes in the world of photojournalism. Photo manipulation, which used to be a timely process, can now be done easily with Adobe’s Photoshop, or image filters provided by social media.
In the image above, the solider, a British solider seems to be gesturing to a Iraqi civilians to get cover. It drew a positive light on the Western forces who had invaded Iraq. It looked like the soldier were genuinely concerned about the residents of the nation they had invaded. However, the Los Angeles discovered that Brian Walski, who had taken the photo, had actually stitched together two photographs to create the image that was shown on front pages around the nation. In one image, the man who is holding a child seem to be walking towards the solider, who wasn’t sticking out his hand. In the other picture, the solider was lifting up his hand but the man with the child in his arms was looking away from the solider. Walski was fired and lowered the credibility of not only the Los Angeles Times, but of other Western media covering the Iraqi invasion. Now, any image would face increased scrutiny as audience members would doubt whether it had been altered to justify the invasion. Many could easily point to the image above as proof that he United States government also creates propaganda.
TIME magazine gained strong criticism for its cover of O.J. Simpson in the 1990s. Using filters, Simpson, who was accused of murdering his girlfriend, had his face darkened. Many saw this as TIME already branding Simpson as guilty. It was also perceived as racist. By altering the mug shot, TIME helped further divide opinion on the already controversial trial of the ex-football player. More people would try to figure out which paper favored which decsion regarding Simpson (whether he was guilty of innocent), and thus losing their trust in the media to be objective.
Both these examples show how manipulated issues can undermine the public’s trust in the media. Images that showed dramatized but didn’t tell the truth only isolated papers from their readers and raised questioned marks even when nothing had been changed. Whenever we publish a image, no matter how insignificant it may seem, we always have to check it has journalistic integrity.